Taking pictures forces you to look at the world more carefully. You see things through the viewfinder that you might miss with the naked eye. And yet more detail resolves itself in the taken image.
So it is with recording sounds. You hear things through the headphones that might otherwise be lost in the background noise. The squeak of freshly fallen snow under foot. The scrunch of that same snow after a hard frost. The splashing of drips. Drips becoming trickles. Trickles becoming streams. Melt water tumbling over stones. And listening back, the source of each sound can be clearly “seen.”
Ears have eyes.
Ridiculously pretentious I know, but like Vivaldi’s Four Seasons, The Shropshire Symphony will eventually have four movements. You can listen here to the Spring movement I recorded during the first lockdown in April 2020.
From early morning geese to late night owls via a blackbird serenading from his perch in our cherry tree, all these natural sounds were recorded over the four days of Easter in our garden near Ludlow.
To my way of thinking there is little or no separation between sounds and words. The best words are visual – in the sense that they readily conjure up a mental image. Sounds do the same. So I hope you can “see” the source of the sounds in this composition with your ears with the same vibrancy I first saw them with my eyes.
Sheila is 85 years old.
Sheila has dementia.
Shelia lives at Ridgeway Lodge care home.
At night she curls herself into ball and sleeps under a single sheet.
Like an ammonite in a museum cupboard.
Visitors need a PIN number to get in.
Just four digits.
But ten thousand possible combinations.
1 2 7 9
First a one and a two, then a seven and a nine
More a pattern remembered, not numbers, a rhyme
But the rhyme is not working. All visits are banned.
I can no longer sit and just hold her hand
1 0 0 0 0
So now I’m holding her hand in my head
And I’m that ammonite curled up in my bed.
Eyes screwed shut against the start of the day
Ears not hearing the birds as they play
But feeling the flesh of my kith and my kin
The warm reassurance of skin upon skin…
1 9 6 4
My earliest memory. Here roles are reversed.
The mother is young it’s the child who’s nursed.
A doctor is summoned. The boy is not well.
Perhaps scarletina he really can’t tell.
And my eyes are screwed shut as they kneel to pray
Ears not hearing a word that they say
But feeling the flesh of my kith and my kin
The warm reassurance of skin upon skin…
2 0 2 0
The warm reassurance of one hand in another
First mother to child and now child to mother
We speak mostly nonsense because how do you say
That you might not be back for a month and a day
So my eyes are screwed shut because I don’t want them to be
Ears not hearing her last words to me
But feeling the flesh of my kith and my kin
The warm reassurance of skin upon skin…
Let’s face it cyclists aren’t a very creative bunch. Or certainly not if the names they give their rides on Strava are anything to go by. A quick and dirty tally of my activity feed over the past few days looks something like this…
Original names are few and far between. There’s one airing the grey matter but given the rider’s a psychologist it’s a tad too obvious. And as for evening pootle and a few hard efforts (you know who you are), you didn’t buy £10k’s worth of carbon fibre racing machinery between you to take it easy for god’s sake! Show some self respect. I think I’d prefer plain old evening ride to those two.
It’s not like we don’t have the time to think up original names. I mean we have enough for drinks stops and cake stops and more cake stops and toilet stops and yet more cake stops. And if we’re riding in a group we’ve got time to talk about stretch lycra, salbutamol, Bradley Wiggins, and to ponder the eternal question: to shave or not to shave. So surely we can spare a few moments to to come up with something that sums up both the ride and our personalities? Here’s my top 10 creatively named rides which if they aren’t on Strava yet damn well should be. Please add yours in the comments box at the end.
You can see the dags from here
A ride name that must have originated in the Antipodes where the word dag refers to the dried faeces clinging to the wool on a sheep’s arse. In other words, unshiftable without a 200psi pressure washer – a bit like grit on a chain. You can see the dags from here is taken to mean that the rider has had such a close encounter of the turd kind (a variant of the name) that he or she could actually count the individual dags. Other variants popular with Northern lad and lasses who do most of their riding on unfenced, upland roads include: smell the lanolin, as in “t’ little feckers were reet close ‘r kid I’ll swear y’ cud smell t’ lanolin;” and lambs to the slaughter aka silence of the lambs where, as the names suggest, the gambol doesn’t pay off, you roll over a hyperactive, day-old ovine and kill it.
Fish in baby oil
As in, as slippery as a fish in baby oil. I’ll confess this was actually one of my rides. Pride, they say, cometh before a fall and it certainly did in this case. On what would otherwise have been my plain, old evening ride, I attempted to impress two young ladies out walking their dogs, by cycling through the ford barring our collective way, rather than taking the footbridge as they sensibly did. In a splash my tyres lost their grip on the algae-slicked cobbles. I took an early bath. And they had an early laugh.
Up sh!t creek without a pedal
Water and bikes clearly don’t go together. I lost nothing more than my pride in the preceding ride. This rider clearly lost one half of his drive train. Sh!tty because one tends not to carry spare pedals on most rides. Inner tubes, yes. Tyres even. But pedals, no.
Pot holes are a pre-occupation (and an occupational hazard) for most UK-based cyclists. Particularly as our dear, non-cycling leader (she prefers walking barefoot through corn fields apparently) is preoccupied with Brexit and not running the country by fixing roads, the NHS, the economy, housing, etc. Such is the scale of the crisis that this and the next two entries are, unapologetically, variations on the state of the roads theme. The Miner’s lamp ride is assumed to draw it’s inspiration from the brass safety lantern, invented by Sir Humphry Davy, carried by miners to illuminate the darkest recesses of the deepest mines. There is, however, a school of thought, which suggests it’s not an ironic reference to the depth of some potholes at all but rather a corruption of “I’m a stupid bugger I went for a night ride minus lamp and had to turn back.”
Clearly a ride taken by an educated cyclist because speleologist is simply a posh word for a caver – troglodytes who get really worked up if you don’t know the difference between stalactites and stalagmites. Apparently stalactites hang down and you can remember this because they have to hold on tite to the ceiling. Blah, blah, blah. The ride name is widely considered to be another reference to the ridiculous depth of potholes – especially after last winter. But there are some who think it originated from an eye-watering peloton accident where the lead rider braked too hard and the following riders disappeared down a black hole.
The state of the roads really must be getting to people because this is the third ride in my current top 10 concerned with potholes. It goes something like this: “if they get much deeper I’ll have to take a canary on my next ride to check for methane.” Like so many rides, there is a possible alternative origin: that the rider was dressed from neck to knee in bright yellow bib shorts and vest and was greeted with the cry “canary” by his fellow riders and sundry motorists. Actually scrub that alternative because, if it was true, the ride would’ve been called Tweety Pie or just plain Twat.
Not the interpretation you might expect, which is why I’ve chosen this one. Turns out the rider wasn’t in the hills and constantly selecting the small gear or granny ring up front. No, the ride was stop start for a different reason – his actualgranny rings him during the ride to ask if he’s seen grandad who’s got a touch of Alzheimer’s and has gone walkabout yet again. This proves to be a bit of a dilemma for our cycling grandson; does he quit the ride and miss the cake to join the search or hold the phone into the breeze, mumble that it’s a terrible line and that he can barely hear, before making a superhuman effort to get back on? Surely the best solution would be to sign gramps up for Strava, strap that spare mobile to his slippers and follow his perambulations on Live Track?!
I’ve a strong suspicion this ride was named by somebody who, like me, grew up in the Seventies. “Burn baby burn it’s a disco inferno” were lyrics from a 1976 hit by an American outfit called The Trammps (yes, with two mms). My hunch is that somebody was grinding up a big hill – definitely not in the granny ring (see above) – and was feeling the lactic acid building up in their legs. You can well imagine their inner voice “ooh the burn baby burn it’s a disco inferno.” Not quite shut up legs but it takes all sorts.
Let them eat cake
There’s always one ascetic* who sips only water at the stops and sucks on lettuce leaves when everybody else tucks into slices of carrot. Carrot cake that is. He gets back 4kg lighter and 6kg smugger than when he set out and chooses a ride name that really sums up his approach to life, cycling, the Universe. He doesn’t know it (until now) but his fellow riders have an alternative name for the ride that does just that: tosser.
The perfect ten
If anyone I know calls their ride this, I’ll run them off the road next time I’m on four wheels and they’re on two. Any ride name with the prefix perfect in it almost certainly wasn’t anything of the sort. It’s a sure sign the rider’s straddling something that’s worth close to the price of your house. “I’m telling you (they’re always telling you even if you don’t want to be told) that was a great ride mate. Fantastic wheels those Zipps. And the skin suit, wow, definitely shaved a few seconds of my KoM. I’d say it was the perfect ten.” You want to punch him on the Rudy Project Aero Helmet, but, before you land the first blow, think better of it and instead cycle as fast as you can – without Zipps or a skin suit – in the opposite direction. With a bit of luck the quick getaway will allow you to steal his KoM. What, I hear you say? The perfect ten?
So you’re on notice: if you don’t at least make an effort to rename your ride I won’t unfollow you but I will withhold that kudos.
*Ascetic (noun) – one who leads a life characterized by severe self-discipline and abstention from all forms of indulgence. Synonyms: austere, self-denying, abstinent, abstemious, non-indulgent, self-disciplined, frugal, simple, rigorous, strict, severe, hair-shirt, spartan, monastic, monkish, nunlike, boring (I made this last one up).
Like many MAMILS (middle aged men in Lycra) you are the reason I got back into cycling forty something years after hopping off my Raleigh Chopper when I gave up my paper round as a 16 year old. I loved your lamb chop sideburns. I loved your Northern deadpan. I loved your taste in music. But most of all I loved the fact that a seemingly ordinary bloke could be extraordinary. It gave this not-terribly-sporty ordinary bloke, who got picked last and then reluctantly by the captains in a game of playground footy, something to believe in. You could call it a bromance. My wife did. There are three of us in this marriage she said, only half jokingly before buying me some eye-wateringly expensive Team Sky kit and a Wiggins Number 1 tee shirt for Christmas. That’s true love for you.
So I’ve had your name bobbing up and down on my buttocks for the last four years. As mobile billboards go I’m the first to admit it’s not been the most striking advertisement but all the same I want my money back plus interest (or rather Mrs Uridge does). Seriously. They were sold to us under false pretences. Plus the logo wasn’t terribly durable.
But there’s another altogether more valuable contract that you’ve broken if the DCMS select committe report is accurate: the notion that just about anything’s achievable with the application of hard work, dedication and attention to detail. You encouraged me (and countless thousands others) to believe in that approach. I applied it when I cycled 3,000 miles across America in three weeks. I applied it when I cycled in your Tour de France tyre tracks over the Alps from Paris to Nice. I’ve applied it for the last three years trying (in vain) to get an age group podium in the Storm the Castle duathlon in my home town of Ludlow. Fifth, I think, is the best I’ve done. And do you know what? I’d rather come fifth for the rest of my life and know that I’ve done my best than come first and know that I’ve done my worst. Because that’s ultimately what crossing an ethical line is: doing your worst not doing your best.
So slink off into the shadows Bradley. I’m sure you won’t miss me. I sure as hell won’t miss you. If you find yourself short of friends I’m sure Lance Armstrong will take your calls.
For what it’s worth I had my suspicions. Bromance, romance. They’re not so different. You get the feeling you’re being cheated on long before the confirmation. But when it comes the evidence you “crossed an ethical line” – or rather the highly suspicious lack of evidence that you didn’t – still sickens you to the core even though you’ve moved on and re-partnered (in my case to that nice Mr Froome).
I’ve just listened to what you’ve said in your defence. I’m not convinced. There’s lipstick on your collar so to speak and you can’t or won’t explain how it got there.
PS If you’re wondering why I’ve sent this letter in a Jiffy bag…
PPS One or two pedants have pointed out that the select committee report doesn’t accuse you directly of cheating – only that your team “crossed an ethical line.” And nor do I. Like I said, part of your appeal is your plain-speaking. I’m sure you’ll understand the difference.
Where were you when the child was crying, mourning a loss not yet hers, but near, an inevitability?
Were you safely tucked away in a cocoon of comfort, one where ignorance could be a justifiable excuse for your indifference?
Etchings of fear lashed across her face, as though a mad man had taken a machete and crisscrossed it with an instrument designed purely for her pain.
Pain so emotional it rendered itself physical upon her body.
That tiny body is a vessel upon which the detritus of an entire region is transported.
Salty tears slid down a well-worn track.
They seemed to know their path, their destination, a knowledge instilled through repetition of this same activity, day after day, till they reached a well unable to be filled.
Relentless pain of the emotional kind is a special sort of beast.
It weakens the mind but not always the body, and the body is our instrument with which we broadcast our state of being to others.
If the emotional is invisible to those observing us, then our pain, fear and desperation all goes unknown, and the suffering, it continues, shrouded by the okay-ness of our physical bodies.
Why are some chosen for a blessed life, and others born in the gutter and forgotten?
By just the luck of a nation, a parent, a situation, we thrive, drown or die.
That soda for milk, that fear for joy, what life is this to live?
Those children of the mountains, they form part of the landscape.
But it’s funny because eventually, the mountain relinquishes that inky chunky matter that is the lifeblood of Appalachia, hungrily clawed from the belly of that land.
But the mountain will never release these children, they are stuck, their permanence in this land ensured forever.
My daughter, Rose Keating, wrote this after watching a Diane Sawyer documentary called A Hidden America: Children of the Mountains. You can watch it here.
There’s a crow sitting on the telephone wire that arcs from pole to pole from where I’m writing this at Crosshands, loops up the road to Hints and beyond to Clee Hill. The two are connected: as the crow flies our village is only 19 miles from Coalbrookdale, the settlement on the banks of the River Severn near Telford where the Industrial Revolution took one of it’s first significant turns. And while this part of the county with it’s coal and dhustone quarries was on one of the spokes of that revolution, it’s been rather left behind in the telecommunications revolution that, in its own way, is every bit as important.
Crows are clever corvids but I doubt mine is bright enough to know the wire beneath his feet is copper. By now, of course, it should be a fibre optic cable. But the high speed service only goes as far as the green cabinet next to the world’s ugliest bus stop (with, admittedly, the world’s prettiest view). So down in Coreley we’re in the slow lane of the information superhighway – and at times on the hard shoulder – with connection speeds barely high enough to enjoy a Netflix night in. And with the village pub now all but closed a night out isn’t an option!
But superfast broadband brings business as well as entertainment down its optical cables so we’re being left behind a bit like an area without those former superhighways, the railways and roads. Our business ACM Training, for example, could employ more people in the parish with a faster Internet connection. But BT and it’s infrastrucure arm Openreach refuse to even put a date on when the final leg from that cabinet to our village will be upgraded. I pointed out to them that they missed a golden opportunity to lay the cable in the same trench as the new water pipe that was laid last year. Is it too much to ask the utility companies to combine forces where it would save them and us double disruption as well as money? Clearly it is.
So if like me you believe super fast broadband is a necessity not a luxury write to BT. Better still send them an email. But just remember for now it won’t be much quicker than the post.
I’ve been working in Liverpool and Manchester the last few days and it’s painful to see how two, once mighty and proud industrial cities have been brought to their knees. I’m not deceived by blue skies, Instagram filters or rose-tinted spectacles. I realise life in the mills and foundries and dockyards was hard and that by most empirical measures we’re better off now. But that doesn’t make it any less urgent for these places to rediscover meaning in a post industrial world. We can’t all work in the service sector. As the community historian, Professor Carl Chinn, once put it to me in relation to Birmingham: “The problem is we’re not mekin’ things anymore.”
So what can Britain’s former industrial heartlands do to reinvent themselves? A lot, of course, has been done already. Running along the Mersey from Pier Head via a statue of the Beatles to the Albert Dock and beyond, that much is clear. But most of what has been done is refurbishment – looking back to a real or imagined past rather than forward to a brighter future. It’s the same in Manchester. And beyond those narrow strips of hope , further along the towpaths and riverbanks, the other side of the crunch of broken glass underfoot, lies despair and decay. The tide went out in the 70s and 80s and it’s been out ever since.
That’s not to say there aren’t modernist beacons shining out like the lighthouses that guided ships through the shifting mudbanks a generation before. The Echo Arena, for example. I can’t help thinking, however, that the lack of ambition in much modern industrial and commercial architecture is unwittingly contributing to the malaise. No need to look after it. It’s temporary. Unlike the handsome red brick structure at the top of this post which at least has the feeling of permanence. Or the Radio City Tower pictured below that dominates the Liverpool skyline. Daring. Bold. A statement to the rest of the world. But built in 1969.
I’m woken by the Dawn Chorus. Not yet the full orchestra. A solitary blackbird playing oboe (chirping is too unrefined a word for it) from the uppermost branch of the wind-stooped apple tree and the dot-dot-dot-dash-dash refrain of a wood pigeon playing Morse code in the rhythm section where the telephone wire arcs up to meet the pole: that tar-barked tree which a bar later reverberates to the staccato beat of a woodpecker tapping up breakfast or test drilling for a new housing development.
I’m up now. Watching as well as listening. A cock pheasant is picking his way across the silvery field like a cross-dressing party goer in high heels. Not wanting to get his feet wet and weaving a snail trail across the dew. All burgundy and wine bottle green with neck curved up and tail curved down. A tipsy tightrope walker turned through 90 degrees.
The hen bird is dowdy by comparison. Brown but not mousey. Making her way up the hedgeline from the stream with an arthiritic strut. More Max Wall than Max Factor.
They’re on a collision course these birds of a feather. Choreographed perhaps? (It’s not just the sap that’s rising). A dance set to music. But if it is, he doesn’t know the moves and she rises entrechat* in a crescendo of ruffled pride. Her alarm muffled like an overwound clockwork toy heard through a blanket. And for a moment the chorus is quietened.
*Entrechat (pronounced: ahn-truh-shah’) is a ballet term which means to jump in the air from two feet – beat the legs together in the air, land either on one or two feet.
Dangerous I know, mixing business with pleasure. But here’s a sneak preview of the new ACM Training cycling kit. I’ll be wearing it to promote the company at cycling events over the year and they’ll also be available to buy. Details to follow.