Clever Trees – Westonbirt

In the last of his current series celebrating Clever Trees Richard Uridge visits the National Arboretum at Westonbirt in Gloucestershire, England.


Please note that this and other programmes in the Clever Trees series were first broadcast on BBC Radio 4. As a result they contain copyright material so they are strictly for personal use and must not be used for commercial gain withour our express permission in writing. Please contact me if you’d like to obtain a licence.

Nature’s Alarm Clock

I’m woken by the Dawn Chorus. Not yet the full orchestra. A solitary blackbird playing oboe (chirping is too unrefined a word for it) from the uppermost branch of the wind-stooped apple tree and the dot-dot-dot-dash-dash refrain of a wood pigeon playing Morse code in the rhythm section where the telephone wire arcs up to meet the pole: that tar-barked tree which a bar later reverberates to the staccato beat of a woodpecker tapping up breakfast or test drilling for a new housing development.

I’m up now. Watching as well as listening. A cock pheasant is picking his way across the silvery field like a cross-dressing party goer in high heels. Not wanting to get his feet wet and weaving a snail trail across the dew. All burgundy and wine bottle green with neck curved up and tail curved down. A tipsy tightrope walker turned through 90 degrees.

The hen bird is dowdy by comparison. Brown but not mousey. Making her way up the hedgeline from the stream with an arthiritic strut. More Max Wall than Max Factor.

They’re on a collision course these birds of a feather. Choreographed perhaps? (It’s not just the sap that’s rising). A dance set to music. But if it is, he doesn’t know the moves and she rises entrechat* in a crescendo of ruffled pride. Her alarm muffled like an overwound clockwork toy heard through a blanket. And for a moment the chorus is quietened.


*Entrechat (pronounced: ahn-truh-shah’) is a ballet term which means to jump in the air from two feet – beat the legs together in the air, land either on one or two feet.

Clever Trees – Heligan

In the penultimate programme of his five part series on Clever Trees, Richard Uridge finds a headache-inducing specimen in the Lost Gardens of Heligan.


Please note that this and other programmes in the Clever Trees series were first broadcast on BBC Radio 4. As a result they contain copyright material so they are strictly for personal use and must not be used for commercial gain withour our express permission in writing. Please contact me if you’d like to obtain a licence.

Sound affects

I’m sitting face to the sun like a Spring flower listening to the sounds of south Shropshire. A wedge of cold air – a thin blue arrow at the horizon and as tall as the stratosphere itself above my head –  has lifted the rain clouds that earlier varnished the already sodden ground with wet snow: tears for the end of winter. Each thread unpicked from the aural rope that anchors me to this spot…

The bleat of sheep.
The breeze stirring the sky-scratching twigs of the black-tipped ash.
The clap of the pigeon’s wings.
The laughter of the raven.

I lose count with the premature hoot of an owl woken from its roost perhaps by the gust of wind that’s dizzied the weathervane and spun the blue sky black.

Winter, for now, has returned. And the sound-deadening snow – more flakes than tears this time round – has ravelled the notes back into one soft symphony.

National Service

There was three things in Civvy Street wot gave me untold pleasure,
Me Boston cut, me Windsor knot, and me creepers made to measure.

On me first day in the Army, though, they gives me quite a scare,
For a moosh they calls the Provost Sarge nabs me crossing square,
Shouts ‘e in voice so loud and clear it rends the morning air:
“Oi, soldier. ‘Ere. Double, lad. Wot yer doin’ wiv all that there?”

Says I to ‘im in tone of slow deliberation:
“I’ve got a permit from the Spivs’ Association.”
At that he laughed, he didn’t even ask to see me card,
Just “Wochyersel. For you, my son, I’ll make things mighty ‘ard.”
Then round to Regimental Barber, he plonks me in the chair.
And in a jiff I’d lorst me quiff and all me wavy ‘air.

But that weren’t all I was to lose,
For next they whips me lovely shoes.

It ‘appened when I’d been a soldier almost for a week,
And wiv all the ruddy marchin’, corns was coming on me feet.
So up I nips to Barrack Room, pulls orf each boot wiv glee,
And swops ‘em for me creepers and yeller socks, yer see.

’Twas at that fateful moment that the Corp comes to me bed space,
He looks me up, he looks me dahn, Gawd! You oughter ‘av seen ’is face.
‘im bein’ a National Serviceman I thought he was a sport.
Gern! Took ‘im 15 seconds dead to place me on report.

Next day he marches me – no ‘at or belt – before the blinkin’ beak.
LEFT-RIGHT, LEFT-RIGHT, MARK-TIME and HALT, so quick I ‘ad no time to speak.
Said Corp ”I’ve charged ‘im under Section 40.”
Said Major “You are very, very naughty;
I fear you can’t do this with me’ and gave me seven days’ CB.
Then added as an afterthought, “Spiv’s shoes in camp you will not sport.”

Well, wiv that you’d think I’d ‘ad me lot,
But arf a mo, I’ve yet to tell yer ‘ow I lorst me knot.

On the Friday after finishing orf me seven days’ confined,
CO decided he’d inspect (wot a blasted bind).
Ah well, says I, feelin’ me crop, the ol’ man won’t catch me,
Me boots was bulled so ‘ighly me reflection I could see.

On the day of the inspection I ‘eld my ‘ead up ‘igh,
Smartest soldier on parade without word of a lie.
When CO glanced dahn at me boots ‘e ‘ad to turn away,
The light it nearly blinded ‘im – reflection of sun’s ray.

I smirked wiv pride as CSM came up to whisper in me ear,
“A stripe wivout a doubt” thinks I, holding back a cheer.
Says he – “YOU CLUMSY, CROSS-EYED, STUPID, IDLE, IDIOTIC CLOT,
You’ve been and gorn and tied yerself a ?*=xx!? Windsor knot!”


My dad, Brian, gave me many things – not least a love of poetry. He was an inveterate scribbler. And he scribbled these lines whilst doing his National Service as a young man in the early 1950s. Brian was born in Finchley, North London so the words are best read in a “Lahndon” accent.

Picture credit: Imperial War Museum.

Clever Trees – Australia

In the second of his programmes celebrating clever trees, Richard Uridge travels to Australia to investigate two apparent paradoxes: the tree that’s wet when it’s dry; and the clever idiot tree.


Please note that this and other programmes in the Clever Trees series were first broadcast on BBC Radio 4. As a result they contain copyright material so they are strictly for personal use and must not be used for commercial gain withour our express permission in writing. Please contact me if you’d like to obtain a licence.

Clever Trees – Malaysia

The time-telling Simpoh flower

Of all the clever things that trees can do telling the time has to be one of the smartest. In this episode Richard Uridge travels to Malaysia in search of the Simpoh, a tree which, according to legend, flowers at precisely the same time every day.


Please note that this and other programmes in the Clever Trees series were first broadcast on BBC Radio 4. As a result they contain copyright material so they are strictly for personal use and must not be used for commercial gain withour our express permission in writing. Please contact me if you’d like to obtain a licence.

Clever Trees – Washington

ct_washington

In the first of five programmes on arboreal “intelligence” Richard Uridge visits George Washington’s home at Mount Vernon to meet two conjoined holly trees.


Please note that this and other programmes in the Clever Trees series were first broadcast on BBC Radio 4. As a result they contain copyright material so they are strictly for personal use and must not be used for commercial gain withour our express permission in writing. Please contact me if you’d like to obtain a licence.

This train is for Cardiff Central

“This train is for Cardiff Central.”

Blokes in ones and girls in twos.
Some in boots and some in shoes.

“All tickets please.”

Punk with nose ring. Ginger hair.
Babe in arms. Collapsed pushchair.

“The next station is Stockport.”

Kids with phones. Teachers with papers.
Both reflecting that day’s capers.

“He was like in capital letters SCREAMING at me.”

A wondrous landscape sliding by.
Look out the window: azure sky.

“Yes he’s been working hard that boy.”

Substituting sylvan March of green
With a silvery iPhone screen.

“Hang on I can’t hear you.”

3G. 4G. Two bars. One.
Battery dead. Or signal gone.

“We will shortly be arriving at Crewe.”

Lunch unpacked from ice cream carton.
Tattooed roses in white flesh garden.

“She’s been snapping at everyone.”

Shirts. And socks. Shorts. And blouses.
Trolley tea. Then terraced houses.

“I’ll have to check with Christine.”

Lives wide open. Windows closed.
Our hopes and fears and thoughts exposed.

“She was proper fit I can tell you.”

Too loud the sinner and the sinned.
All caution thrown into the wind.

“The next stop is Ludlow.”

The man looks up. Sees his reflection.
Shit he says there’s no connection.


This poem was inspired in general by a journey on the Arriva Wales train service from Manchester to Ludlow and in particular by the girl with the tattooed thighs. The words in quote marks are either overheard snatches of mobile phone conversations or announcements made over the tannoy. Both are reported verbatim.

Echo Chamber

His work hangs on the gallery wall.
We hear its buzz.
We’re in its thrall.

Each piece still humming with the thrum.
As strong as when the work was done.
That clay was soft and took the mould
Of artist’s hands and brush strokes bold
Laid down their layers one by one
Upon the canvas taut as drum.

And so lives on the artist tutor.
Who has a past as well a future.
Whose work transcends the passing years
Through others’ eyes and hands and ears.

We hear the echo loud and clear.
The artist lives! Ne’er shed a tear.

Courtesy Gallery 131, Ludlow
Courtesy Gallery 131, Ludlow

These words came to me after attending a preview of the Man and Light exhibition running at Gallery 131 on Corve Street in Ludlow until March 19th.  The exhibition celebrates the work of the Midlands artist Arthur Berridge (1902 – 1957). Opening it the sculptor Stephen Cox RA explained how Berridge was underrated – both as an artist and as a teacher. It struck me then that echoes of the creative compulsion that drives artists like Berridge and Cox reverberate indefinitely: directly through their work (and more loudly when many works are brought together in one place); and indirectly through the work of others they’ve taught.

I heard these echoes and wrote them down.

Richard Uridge